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All but one of the examples shown here are known to made it into production
because the corresponding glasses are in Paul Van Vactor’s collection
(featured in Random Shots, 2003). While the “Jed Clayton” is a classic Truog
design that he was obviously proud of since it featured in company
advertising, the other two are not. The scrapbook also shows many
exquisitely detailed beer glasses that would be equally hard to identify as
being Truog designs, which leaves one wondering exactly how many of the
thousands of shots that are known to exist came off the Maryland Glass
Etching Works production line.
Respect for Truog’s talents and productivity has risen several notches with
the recent publication of George Truog and His Art by Dale Murschell.
The
author is a respected expert and booster of Cumberland glass and has done
much to raise awareness of the area’s proud production history.
The book reproduces pages from the same scrapbook shown in Old Advertising
Spirits Glasses, but it additionally features a second scrapbook of designs
owned by Truog collector Naomi Himmelwright. The designs were sketched on
tissue paper for later transfer to metal production plates. Two plates
survive in Allegany County Museum and are reproduced in Dale Murschell’s
book: most significantly, one of these includes the design for the popular
“Lord’s Prayer” tumbler. But the tissue designs are a remarkable find for
shot-collectors because they indicate the true scope of Truog’s work.
Unfortunately the original sketches are now discolored with age and hence
copy quality leaves much to be desired, but this detracts little from the
impact of the scrap book or Dale’s efforts to ensure that Truog receives the
recognition that he deserves. I’m very grateful to Dale for making the
copies available and granting permission for them to be reproduced here.
Many glasses previously considered mundane now have to be evaluated in a new
light. Take the “Fairland Rye” for example. This is a glass from my own
collection that I thought little of until I was astounded to discover it was
a Truog design dated 9/12/09. Perhaps less surprising was the realization
that Truog was also responsible for the trademark Altschul “barrel on A”
design (but note the spelling of “School”!). While Altschul glasses echo a
familiar pre-pro theme replete with grain stalks, they’ve always commanded
premium prices that reflects a certain panache than we now know to be Truog.
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There are many other familiar labels scattered throughout the scrap book
collage, a rare treat for the dyed-in-the wool glass collector. It’s also a
delight to note that there, buried amidst a jumble of flowers and mercantile
slogans on p. 139, is the design for the
1905 German Baptist Conference
glass, held in Bristol TN. |
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It’s not so much that we needed confirmation of Truog’s hand in the design,
but rather it provides a reassuring anchor for an impressive body of work
that must have found its way onto a table or bar in virtually every home and
watering hole across the Unites States. Truog ultimately died penniless
after having squandered a fortune on a lavish lifestyle. Like all great
artists, however, his legacy continues to grow unabated: certainly, those of
us who find the appeal of pre-pro glass to be irresistible will continue to
seek him out and pay a premium for his talents. |
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For more information on George Truog or any of the books mentioned in this
article, please contact Robin Preston at 245 N 15th Street, MS #488,
Philadelphia, PA 19102, e-mail robin-preston@drexel.edu. Robin is an
enthusiastic collector of pre-prohibition shot glasses and maintains the
collector’s website www.pre-pro.com.
Note - we still have a limited number of
copies of Dale's wonderful book on Truog. The price is $25, media
rate shipping included. Contact the
glassmaster@pre-pro.com if you'd like
to obtain one. |
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